Towards the end of his life, he made records with more a straight-ahead jazz feel. He gave his life for music, and influenced countless younger sax players. It should be PAT LABARBERA. Houston Person & Phil Woods deserve to be on the list before a number of others that are on here.. You sure you know jazz? I agree – Include Budd Johnson and Curtis Amy please…Gerry Mulligan way better than Al Cohn or Johnny Griffin or Dexter G. Typical anti-Sun Ra bias, though. In 1957 Getz recorded a swinging selection of standards as guest soloist with Oscar Peterson’s intimate drummer-less trio. No Steve Lacy, the greatest soprano sax player of all time, makes this list a joke. Who remebers the female sax player in the 80's??? Even now, in his 80s, his shows are frequently breathtaking, offering the chance to watch a leonine master show players half his age how it’s done. Art Pepper would have Been far more worthy if his years weren’t stolen from him. Desmond and Mulligan aren’t in the same league as the aforementioned. There’s a whole lot of other mess on the list. Marshall Allen? Sam Butera is always under rated except by the people in Las Vegas where Louis Prima and Sam Butera had the hottest act on the strip, even way ahead of Wayne Newton. Not only is he not mentioned on the list, he is not mentioned in any of the replies. This Ohio free jazz and avant-garde saxophonist (who played the tenor, alto, and soprano varieties) didn’t live to see his 35th birthday, but today, almost 50 years after his death, his music and influence still casts a huge shadow in jazz. Arriving in the world as William Huddleston, Lateef pioneered the incorporation of musical elements from other cultures into his music. Lloyd began his solo career at the same time, and his absorption of rock elements helped his music go down well with a wider audience. Circa 2011 (and still now, really) there were few contemporary acts that really excited me, but M83 has always been one of them. Mulligan’s resonant baritone sax appeared on countless recording sessions during his long and fertile career, including those by Miles Davis, Billie Holiday, and Dave Brubeck. Hailing from Pennsylvania, Brecker was a tenor saxophonist who was raised on a diet of jazz and rock so that, consequently, he never acknowledged musical boundaries. Find the Saxophone sound you are looking for in seconds. Though he liberated jazz both melodically and harmonically, Coleman’s crying alto sound was always steeped in the sound of the blues. Gospel Saxophonists and Christian Saxophone Players. Heath has played with all the jazz greats (from Miles Davis and Milt Jackson to Freddie Hubbard), and continues to perform to this day. It’s news to me that the saxophone is a brass instrument. Frank Lowe? Archie Shepp?….? MANY MUSICIANS HERE HAVE TOLD ME THAT HE WAS ONE OF THE GREATEST SAX AND CLAIRENT PLAYERS THAT THEY HAVE EVER HEARD. I believe this riff was influential in contributing to some youth choosing saxophone as their primary instrument in the late 70s and early 80s. Marsh was one of the most creative and original improvisers of all time. Search for Saxophone Players in Seattle, Washington above. With its lissom Charlie Parker-influenced inflections, McLean’s sinuous alto saxophone style caught the ear of Miles Davis in 1951, and the trumpet legend included the then-16-year-old saxophonist on his Dig! SIN COMENTARIOS. He played on a raft of pop and rock sessions in the 70s (for everyone from Steely Dan to Art Garfunkel), as well as co-leading the funky Brecker Brothers Band with his younger sibling, Randy. A move to LA, in 1956, signaled a change of direction for the saxophonist, who, four years later, ended up replacing Eric Dolphy in Chico Hamilton’s group. The greatest 8, were, and I should know, for look at my email which is not a joke, it is because I play like Jaws, Jaws, Ben, Griffin, Dexter, Zoot, Jacquet, Rabbit, Cannonball, Joe Lovano But thank you for mentioning Tina Brooks. Art has something to do with both tradition and talent. Gato Barbieri does not belong in this list. Much of Charlie Parker’s recorded output came before the LP era, and the live recordings are the place to go to hear him really stretch out. My AUTUMN IN MUSKOKA should really be called AUTUMN IN HEAVEN!! As he launched a career as a soloist, his light, Lester Young-inspired sound saw him categorised in the press as a Cool jazz player, although he was equally comfortable playing with bebop musicians like Sonny Stitt and Dizzy Gillespie. Helen November 6, 2019 November 6, 2019 Famous And Not-So Famous Sax Players Famous And Not-So Famous Sax Players, Holidays, Photos, Tenor Saxophone, Video, YouTube 4 The Fairer Sax If you look back at photos of yourself from the 80s & 90s—or 70s or 60s depending on your age—one thing you can say with 100% certainty: fashions change. There were, and are so many. Top Answer. Neither was gil Melle, or Nick Brignola (I was trying to think up earlier) or Sonny Criss, Joe Farrell, Scott Hamilton, or Bud Johnson, Paul Quinchette, or Pharoah Sanders, Bob Berg. She was one of the greatest female classical trumpet players, and that made her unique. This compilation album features Hawkins’ most famous track. If he had lived beyond 34 years of age, who knows what he could have accomplished. Trane emptied the theater in Madison, Wisconsin’s UW Student Union. No sharing. Peter Brötzmann? Too much happy jazz selections. We need to add a bunch more here and those are all on the list! in jazz and its associated subgenres. ALISON YOUNG and COLEEN ALLEN from Ontario, Canada. All I know is that it was played on soft music stations about a 15 years ago when I was a kid (so it most likely is from the eighties I figure. RENE’ NETTO. Not even a peep about grover Washington jr,wow. I will just say my top three (all in the top 6 here), definitely in this order: 1) Sonny Rollins The band consists of mostly jazz, R&B, and some rock musicians and features a strong horn section.They normally play the opening theme music (after the cold opening), musical pieces in between commercial breaks, and the closing theme music "Closing Theme (Waltz in A)," written by Howard Shore. 1) GO BOY-Roger Caron and Elton John. Jazzfuel is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. Rollins is famously self-critical and between 1959 and 1961, feeling that his playing didn’t live up to the hype he was receiving in the press, he took a sabbatical from recording and performance, practising for up to 16 hours a day under the Williamsburg Bridge in New York. Young was also something of a cultural icon: he wore a distinctive pork pie hat and coined a number of expressions that are now commonplace, such as “cool” and the word “bread” to mean money. A list like this is always highly debatable and a matter of personal taste. U was glad the jug, Gene Ammons squeaked into the top 25. His sound is powerful yet elegant. In the past, famous jazz saxophonists like Stan Getz and Lester Young dominated the music scene, but in the intervening years, the saxophone has … Getz was known as ‘The Sound’ for his famously lyrical tenor saxophone tone. This Newark, New Jersey, composer and saxophonist (who alternates between soprano and tenor) enjoyed mainstream fame as part of fusion giants Weather Report between 1971 and 1986. label between 1969 and 1974 (which yielded ten LPs) cemented his place in the pantheon of best jazz saxophonists. Originally from Ohio, Henderson first made his mark as an exponent of hard bop at Blue Note in the early 60s, and also recorded with Horace Silver (it’s Henderson’s solo you can hear on Silver’s ‘Song For My Father’). If you find your favorite trumpet player or have any questions, please let us as well as our readers know by commenting below. Check out some of the greatest jazz albums on vinyl here. As well as a consummate alto player, he was a singer, songwriter, arranger and comedian, an all round entertainer who was accepted into the mainstream of U.S. show business, performing … I also played PICK UP THE PIECES (The Average White Band-right?) ‘¿SIDNEY BECHET 25°, COLEMAN HAWKINS 7°? But in the mid-1930s, Lester Young replaced Hawk in the tenor chair in Fletcher Henderson’s orchestra, and the younger man’s style caused quite a stir. Dubbed The Boss, Windy City native Gene “Jug” Ammons might have been the scion of boogie-woogie piano meister Albert Ammons, but he was drawn to the tenor saxophone and began his career in the 40s. Their group pioneered Soul jazz, a funky variation on hard bop, and would later experiment with funky electric instrumentation. A difficult question without a ‘right’ answer: who are the best jazz saxophone players of all time? Henderson’s tenor sound was unmistakable: loud, robust, and virile. The best trumpet player greatly has been contributing to the art of the world and make our world more beautiful and diverse. ANDY KLAEHN from my hometown of Kitchener Waterloo, Ontario??!! When you listen to one of his most famous songs, ‘So What,’ you aren’t immediately struck … Coltrane’s music was always evolving and progressed from hard bop through to modal, spiritual jazz, and the avant-garde. “When I heard Hawk, I learned to play ballads” – Miles Davis. With its breathy timbre, virile tone, and broad vibrato, Webster’s bluesy tenor saxophone sound is one of the most readily identifiable in jazz. Stitt has some of the most beautiful playing, articulation, and sound ever on a saxophone. Coleman assembled his close friends, all master players, for the date: trumpeters Don Cherry and Bobby Bradford, saxophonist Dewey Redman, bassist Charlie Haden, drummers Ed Blackwell and Billy Higgins. Grover should definitely be on this list!!! Charles, I wish we could meet. I think that Boots Randolph should be on the list. Wish I had met him. Does anybody remember who the female sax player was that had a nice sized hit in the late 80'? Would also include Steve Lacy. Baritone specialist Park “Pepper” Adams came from Michigan and was a stalwart of the Detroit scene, where he played with Donald Byrd in the late 50s and early 60s. Read my reply to Charles Drago, although I cannot see it has been sent. Cohn’s signature was a bright but full-bodied saxophone tone out of which he poured rivulets of mellifluous melody. He played on Miles Davis’ iconic modal jazz manifesto Kind Of Blue in 1959, but thereafter became a purveyor of soul jazz. Sadly, he struggled with substance addiction, and was just 34 when he died in 1955. Had he stopped right there, I’d agree that he was the best of Hawk and Lester as well as an important shaman, maybe an angel or a saint. Such a list is always subjective. Florida-born altoist Adderley caused a sensation when he visited New York in 1955, and was soon snapped up to record the first of many albums during the next two decades. All 3 were very unique, avant-guarde musicians and saxophonists who changed and expanded the role of jazz sax. Your email address will not be published. Liste to The Train and the River : splendid. He was a virtuoso of the flute and bass clarinet but was also a fabulous alto sax player with a unique approach, and first came to the attention of the wider public when he began playing with Coltrane in the early 60s. Phil Woods, Bird, Cannonball, I caught him with Shep, then Pharoah Saunders (the loudest of all), and finally Eric Dolphy (in a Chicago Southside bar that had been filled when Stitt and Ammons were there but with Trane and Dolphy (no piano–or bandstand–for McCoy), the audience was small and indifferent to the music which, though tolerable, failed to communicate with the all-black Southside audience. Discover the best jazz trumpeters and best jazz drummers of all time. Nature of the beast. Coleman Hawkins’ heavy, muscular tone was very much the dominant early tenor style. I suggest you listen to the CTI album, “Skylark.” It’s a gem, and verifies Desmond’s unique fluid delivery. Bullshit list and chronologically provincial. Placement of the musicians will always be a never ending disagreement. The music was also a resolutely intellectual affair, partially in response to the more populist Swing era that had dominated American music since the 1930s. Johnny Griffin? Where’s Chris Potter? — is not worth the pixels it is written with. But even several spells in prison couldn’t taint the lyrical beauty of his distinctive alto saxophone sound, whose roots were in bebop. Stupid lists, I agreeee ! No Harry Carney, Sidney Bechet,Serge Chaloff and Steve Lacy. WHERE IS PHIL WOODS – ARE YOU KIDDING???????????????????????????????? He was great on both saxophone and clarinet! That’s where the curators step in to validate or invalidate the taste of what we consider art left in our mouths and minds. Like a number of the best jazz saxophonists of his era, he was a disciple of Charlie Parker, but nevertheless forged his own style, a soulful amalgam of bop, gospel and blues influences. I agree with a lot of the choices, But you missed on of the greatest and that is KING CURTIS. — As for the excellence of Sonny Stitt, his qualifications should be immediately clear to anyone attentive to his battle with Rollins on “The Eternal Triangle.”. Very true. But the painful ugliness of the sound he made on 4 different occasions was enough to detract from the beauties of “A Love Supreme,” the ingenious harmonic revisions of “Giant Steps,” and the multiphonics in the cadenza of his favorite tune, “I Want to Talk About You” (played on practically every Coltrane session I attended). His career began in the late 1960s as fusion and jazz rock were becoming the dominant styles, with Brecker working with Steps Ahead and co-leading the Brecker Brothers with his trumpet-playing brother Randy. Glad to see Yusef Lateef and Pharoah Sanders on here too. May 17, 2015 - Explore Giacoletti Music Center's board "Famous Saxophone Players" on Pinterest. With his raw, wailing tenor sax sound, Argentina-born Leandro “Gato” Barbieri plowed a Coltrane-esque avant-garde furrow in the late 60s before making a more accessible form of music that embraced his Latin American roots. The shrieking and screaming was as piercing and insane as anything I had heard. From the legendary Wrecking Crew of the '60s to still-active aces like Steve Lukather and Leland Sklar, these 20 players have kept L.A. steeped in great sounds for over 50 years. ). Who is a 1980's famous clarinet player with long curly hair? Saxophones in popular music are often written off as vehicles for melodramatic, cheesy '80s songs. Required fields are marked *. According to the vapidness of a lot on this list, you should have included Kenny G and Boots Randolph as well. No matter what you do you can’t satisfy everybody. [Archive] famous jazz saxophone players that are alive? If you are, I totally agree with you. From Culver City, California, Davis – given the name Lockjaw because his saxophone seemed almost glued to his mouth during his ultra-long solos – could play in a range of styles, though his calling card was a driving, blues-drenched hard bop. To say he was so great there, given that Rollins, Coltrane and Griffin had been so inspired when they played with Monk, speaks eloquently of Rouse’s gifts. 5 Coleman Hawkins. What is the name of that saxophone player from the 80s and early 90s. What a joke! Lee Morgan rated well on the trumpet list too–on records they are on together I think of Mobley and Morgan as The Dream Team. https://prezi.com/ggw3tnv1iddh/famous-saxophone-players-in-the-80s-d Glad to see Stitt recognized, as well as Jackie Mac. What about Phil Woods, Anthony Braxton, Booker Ervin and Grover W….??? Love Lovano, but on a given day, I’d rather hear Chris Potter, Joshua Redman or David Sanchez. I’m not sure why he and folks like him (Gerald Albright, Jeff Lorber, etc) are never included in these lists, since their impact is beyond comparison! I understand it’s all down to personal taste but these two are huge omissions. Ask any garage band or casual listener to play or hum Mr. Magic or Winelight, and they will…those songs are known worldwide. It is a saxophone and a guitar playing back and forth. Though originating in Philadelphia, Getz became the pre-eminent tenor saxophonist of the US West Coast cool school scene of the 50s. Though Dolphy died at a relatively young age (he was 36 when he tragically succumbed to a fatal diabetic coma), the reverberations from his pathfinding music can still be felt today. (and for saxophone, Stan Getz on Label M-My Foolish Heart, Live at Left Bank Jazz Society will BREAK your heart) Also, there are SO many great tunes, this was an admirable task to undertake. LP. Dubbed the Lone Wolf, Boston-born Stitt started out as an alto saxophonist and began his recording career at the dawn of bebop during the close of the 40s. The sound he projects is substantial but also athletic and imbued with a heart-tugging soulfulness. Unique among the world’s best jazz saxophonists, Rivers was a multi-talented instrumentalist who played bass clarinet, flute, and piano besides excelling on tenor and soprano saxophones. Its status as one of the genre’s most important instruments is undisputed; even the most cursory glance at the list of musicians hailed as the best jazz saxophonists of all time reveals a number of one-off talents who have helped take the music in new directions. Though he was dubbed The Sugar Man, there was nothing sickly sweet about this Pittsburgh-born tenor man’s robust and earthy style, whose DNA revealed blues cries, gospel cadences, and the influence of R&B saxophonist Illinois Jacquet. Weighty In The Eighties: When Prog Rock Went Pop, Best Loretta Lynn Songs: 20 Essential Country Tunes, ‘Control’: How Self-Assertion Made Janet Jackson An Icon, Best Wes Montgomery Pieces: 20 Jazz Essentials, William P Gottlieb/Ira and Leonore S Gershwin Fund Collection, Music Division, Library Of Congress. One cannot determine whether Pepper is playing or anyone else. Ummm…Where the hell is harry carney??????? There’s no doubt that, if he were alive today, 19th-century Belgian instrument maker Adolphe Sax would be extremely surprised – and pleased, too, no doubt – at how the saxophone, which he invented and then patented back in 1846, has become universally popular, and was crucial in defining the sound of a 20th-century-born musical style called jazz. Of course, after Miller died, he took over the band. John Coltrane was a relentless practiser who never stopped searching and striving to develop as an artist. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players … As a saxophonist, ‘Trane is noted for his metallic, snaking tone (partly due to his choice of mouthpiece and saxophone) and his unique ‘sheets of sound’ approach. A form of lung disease has silenced Rollins’ tenor saxophone since 2012, but he remains the last great saxophonist of jazz’s golden age. Get your ears checked and your facts right. No David Murray? Your email address will not be published. Donaldson also sat in as a sideman on notable sessions by Thelonious Monk, Clifford Brown, Art Blakey, and Jimmy Smith. And his own album “Jewel in the Lotus” is an underrated masterpiece. Ask ANY “casual listener” today to name a Gene Ammons song. Frank Wess? See Answer. Sometimes we shouldn’t just listen to sax players. Henderson showed huge talent as a teenager and was a devoted student of his musical forefathers, including saxophone players Lester Young, Charlie Parker, Stan Getz and others. Also, repeating he copied bird shouldn’t be synonymous with his name. Parker’s ornate style and prodigious technique, which combined melodic fluency with chromatic and harmonic ingenuity, proved profoundly influential. He played in many big bands (including those of Artie Shaw, Stan Kenton, and Buddy Rich) and was always conducive to working on collaborative projects with other saxophonists. Alvin Cohn enjoyed a long and fruitful collaboration with fellow tenor Zoot Sims – and, together, the pair were considered by Jack Kerouac to be among the best jazz saxophonists of the 50s, and were asked to play on his 1959 poetry album Blues And Haikus. Save my name, email, and website in this browser for the next time I comment. Every note in his solo is perfectly placed!! Agreed- Chris Potter is one of my faves. Bud Freeman? Hmm? Parker and Coltrane were the most creative and groundbreaking. (and for saxophone, Stan Getz on Label M-My Foolish Heart, Live at Left Bank Jazz Society will BREAK your heart) Also, there are SO many great tunes, this was an admirable task to undertake. Join the mailing list for tools, resources & ideas - all free, Join the Jazzfuel newsletter and get the free PDF in your inbox today. Coltrane’s sense of “lostness” was unmistakable when he struck up an alliance with Ornette (a rank amateur in terms of technique compared to Coltrane). And, yes, Hank Crawford just above Cannonball Adderley? People like Armstrong was the Mogdigliani of the trumpet– or Lester Young, and Coleman Hawkins were the Van Gogh’s and Monets of the saxophone. Any list that doesn’t include Benny Carter — and especially one that lists Ornette Coleman(!!) Urban legend notwithstanding, it was indeed Scottish musician Raphael Ravenscroft who played the riff—that is arguably the most famous saxophone line in rock history. Schooled in Art Blakey’s “hard bop academy”, Shorter then played a significant role as a composer/player in Miles Davis’ Second Great Quintet between 1962 and 1968. Maybe older). Though he’s been dead for over six decades, no saxophonist yet has eclipsed him in terms of importance. And, if you want to hear him get away from his cutting / reedy / bright timbre that I love, listen to his subtone on When Sunny Gets Blue for a change-up. Sonny Stitt is way too low on this list. Next time I would go alone, but the phenomenon was the same. One of three noted jazz musician siblings (his brothers are drummer Percy and bassist Albert Heath), this Philly saxophonist started his career in the 40s and switched from alto to tenor sax to try and avoid comparisons with fellow bebopper Charlie Parker (Heath was dubbed Little Bird for a time). From 1955, McLean started recording under his own name, impressing as a young exponent of hard bop. An acolyte of John Coltrane (with whom he played between 1965 and ’67), tenor/soprano saxophonist and flautist Sanders helped to bring both a cosmic and deep spiritual vibe to jazz in the late 60s and early 70s. Obviously this list is not a list of best saxophonist, but best straight ahead jazz saxophonist. Excellent point. Bostic was extremely popular in the field of post-war R&B, racking up several US hits. He appeared on many jazz fans’ radar when he played with Miles Davis in 1964. Hopefully though, this is a good springboard for you to discover (or rediscover) some of the greatest jazzers of all time.
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